As part of my continuing project to transcribe Monteverdi's
madrigals onto winds, here is the 6th book. In this book we see a much
greater development towards dramatic representation. In a way, this book
is divisible into two Scenes with a number of single items in between.
The vocal lines are all much more complex and we can also see the
beginnings of monodic writing appear in the semi-recit sections of some
of the songs.
Also clearly developing are delineations of the voices into soloists
and chorus. Several songs in this book are almost akin to arias, with
clear soloistic writing for the higher voices (Cantus/Tenor).
The first four songs form a kind of introductory scena, which
Monteverdi calls "Lamento d'Arianna". The second of these is "O Teseo,
Teseo mio" which translates as "O Theseus, my Theseus. The young man is
pleading with his lover to tell him that she wants him and he is
referred to as Theseus in order to fit in with the common mythology of
the time. Just as the women have Arianna, Daphne and Clorinda, so the
men have Theseus, Clovis and various other mythological fantasies.
As with all things madrigalian, the lyrics are rife with double entendres.