Mozart: Requiem in D minor K626 III.Sequenz No.3 Rex tremundae - brass quintet (arr. Ray Thompson) by Wolfgang Amadeus Mozart Sheet Music for Brass Ensemble at Sheet Music Direct
Log In
1208624
Mozart: Requiem in D minor K626 III.Sequenz No.3 Rex tremundae - brass quintet (arr. Ray Thompson) Digital Sheet Music
Cover Art for "Mozart: Requiem in D minor K626 III.Sequenz No.3 Rex tremundae - brass quintet (arr. Ray Thompson)" by Wolfgang Amadeus Mozart PASS

Mozart: Requiem in D minor K626 III.Sequenz No.3 Rex tremundae - brass quintet (arr. Ray Thompson)by Wolfgang Amadeus Mozart Brass Ensemble - Digital Sheet Music

£3.99
Taxes/VAT calculated at checkout.
Free access with trial. £9.99/month after. Cancel anytime.
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, including our free app

This item is not eligible for PASS discount.

Audio Preview

Video Preview

Product Details


Product Description

arranged standard brass quintet

Section III of the requiem is titled Sequenz (sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa

I have also arranged Mozarts Motet Ave Verum Corpus K618 for varying types of instrumentation.

Mvt.3 Rex tremundae summary

A descending melody composed of dotted notes is played by to announce the Rex tremendae majestatis ("King of tremendous majesty", i.e., God), who is called by powerful cries on the syllable Rex during the pauses. For a surprising effect, the Rex syllables fall on the second beats of the measures, even though this is the "weak" beat. The melodies adoptthe dotted rhythm, forming what Wolff calls baroque music's form of "topos of the homage to the sovereign",or, more simply put, that this musical style is a standard form of salute to royalty, or, in this case, divinity. This movement consists of only 22 measures, but this short stretch is rich in variation: homophonic writing and contrapuntal passages alternate many times and finish on a quasi-unaccompanied choral cadence, landing on an open D chord (as seen previously in the Kyrie). Excellent fun for eery player.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.