Product Description
Sonata for Harp, Op. 17 was composed out of the desire to write for an instrument I had not previously written for at the time. The themes used throughout the entire sonata are revolved around the limitations of the harp pedals.
The first movement, in Bb major, utilizes Sonata-Allegro form and revolves around the dialogue of two themes and constant motion, which are developed further in the development section. Structurally and tonally, the principles of this form, as well as the piece overall, is applied is the same as in a Mozart piece.
The second movement, in E major, which is the tritone to Bb, is in ternary form and opens with a melody that represents prayer. Following this prayer is a chorale that gradually becomes more grandiose in nature. A motive of loud planing chords is the answer to this prayer, which is followed by the softer motive that transitions into the next section. The theme is a simple melody containing planing fifths in the left hand, which is accompanied by ornamentation in the right hand. In the final section, a combination of themes, including the initial prayer motive and chorale motive, return and closes the movement.
The third movement, in Bb major, is also in ternary form with rondo-esque tendencies. One central theme culminates the final movement of this sonata, which is brought through different tonal centers. Furthermore, it is presented in the form of a waltz in the middle section of the piece. While joyful in nature, there are humorous moments such as terrace dynamics implanted to surprise and keep the listener engaged throughout the movement.
I. Allegro giojoso
II. Adagio religioso
III. Allegro con colore - Valse
Composed by Tyler J. Holt
Published by TJHoltMusic
Copyright © Tyler J. Holt, Composer
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